Upcoming solo exhibition of my work at Boxheart gallery in Pittsburgh

Upcoming solo exhibition of my work at Boxheart gallery in Pittsburgh

Two person exhibition of works by Salvador Di Quinzio and Oleg Koulikovat Christine Fréchard Gallery in Pittsburgh, PA 2018-2019

Two person exhibition of works by Salvador Di Quinzio and Oleg Koulikov

at Christine Fréchard Gallery in Pittsburgh, PA 2018-2019

Video of Lance Esplund, art critic for the Wall Street Journal, discussing Salvador Di Quinzio's painting "The Abduction of Helen" in a curated show at the Lore Degenstein Gallery

 
Installation shot of my work at Björn Gallery in the Chestnut Hill section of Philadelphia

Installation shot of my work at Björn Gallery in the Chestnut Hill section of Philadelphia

 
Marion and I will show our work at Björg & Co in the Chestnut Hill section of Philadelphia, PA

Marion and I will show our work at Björg & Co in the Chestnut Hill section of Philadelphia, PA

 
LA based art consultant Jenny Begun recently interviewed me for her blog "Yenning for art with brio" in which i share information regarding aspects and background on which my art is based

LA based art consultant Jenny Begun recently interviewed me for her blog "Yenning for art with brio" in which i share information regarding aspects and background on which my art is based

 
Immanence Journal used my painting "Leda and her Seahorse" for the front page of their Spring/Summer issue.Inside the publication, there is a two page spread on pages 112-113 where you can find an expose of my art along with images of my work.

Immanence Journal used my painting "Leda and her Seahorse" for the front page of their Spring/Summer issue.

Inside the publication, there is a two page spread on pages 112-113 where you can find an expose of my art along with images of my work.

 
"Meeting the Diversities" from the Director's Chair at Knapp Gallery who described the work as "fable-esque yet relevant vignettes"

"Meeting the Diversities" from the Director's Chair at Knapp Gallery who described the work as "fable-esque yet relevant vignettes"